Mao's successor Deng Xiaoping used the same tool to spread his message: "Wealth for the ten thousand generations". This message clearly reflects the viewpoint of the reforms he introduced in 1978.
This is the entrance to the publishing house of the People's Daily Newspaper in Beijing. On top of the gate we see Mao Zedong's calligraphy, the same as on the heading of the newspaper itself. By attaching so much importance to calligraphy Mao Zedong subscribed to the idea that calligraphy reflects moral power, as all his predecessors of the Chinese Empire had done before him. Mao was deeply rooted in the culture he tried to erase.
I always like the efforts of the Chinese to try and obtain good luck in life. This thousand year old Gingko tree in Chengdu is covered with pieces of red cloth and threads from people trying to link their fate with the good fortune of the tree. Since ancient times the Chinese have used 'fortune trees'. In the Sanxingdui Museum in Chengdu you can admire a bronze fortune tree dating back to the Han dynasty (206 BC-221AD)